USA TODAY announced their annual list of the Women of the Year on February 27. The selection committee chose sixty-one women from across the country who are inspiring the next generation. Whether they are breaking institutional barriers, pushing for change, or leading innovation in their discipline, the women in this list represent the stories and experiences of women across the country. One such awardee is the School of Art + Design's Sports Product Design Professor, Susan Sokolowski, who has the distinction of representing Oregon.

With Los Angeles set to host the 2028 Olympics, Newsweek reached out to experts to assess whether Los Angeles is prepared to host. PPPM Professor Gerard Sandoval was one of the experts for the article.

From a young age, Naomi Evans' parents instilled in her the importance of uplifting others. This grew into a passion for working with communities, leading Evans, MNM ’23 (nonprofit management), to the University of Oregon, where she was able to tailor her coursework, leverage professional development opportunities, access professionals in the field, and get the hands-on experience she needed to prepare for a career after graduation.

The Port of Portland has approved a lease for the University of Oregon’s acoustic research laboratory planned at the Mass Timber and Housing Innovation Campus at Terminal 2. The Oregon Acoustic Research Laboratory is the research and development anchor tenant planned for the campus, where the Port is transforming a former marine terminal in Portland’s Northwest industrial area into a manufacturing hub to support Oregon’s growing mass timber industry, create new jobs and address the region’s housing shortage.

Profiled in "The New York Times" "Newly Reviewed" series, the latest exhibition organized by Howie Chen, UO alumna Jayne Cole Southard, HA&A PhD '22, and Christina Ong is the "Legacies: Asian American Art Movements in New York City (1969-2001)." Billed as "a smart and moving group show at New York University’s 80WSE gallery" by the paper, the exhibition features some 90 different works structured around three foundational grass-roots entities: the arts production and social services hub called Basement Workshop, founded in Chinatown in 1970; the Asian American Arts Centre, a gallery and performance space that debuted in the neighborhood in 1974 (and is still there); and the institution-storming collective Godzilla: Asian American Art Network, which coalesced in 1990.

Courtesy of the Oregon Mass Timber Coalition and OSU, the following video captures the impressions of the excited group of developers, builders, researchers, and community members who came to tour the MPP Workforce Housing prototype in Corvallis.