There is always something happening in the College of Design. Join us for art exhibits, guest lectures, conferences, research symposia, and more. Most events are free and open to the public. You can join our email list to receive our Upcoming Events weekly announcement and stay in the know about the latest happenings.
2:00–3:00 p.m.
Join us for an information session on the Sustainable Cities and Landscapes in the Galapagos program. We'll discuss the program dates, details, and experiences!
3:00–5:00 p.m.
Environmental Design in England: The Leader in You is an active, innovative global learning course about leadership and its interdisciplinary creativity. Topics include the actual and intellectual study abroad journeys of Exemplars such as architects and artists, authors and scientists, technologists and legislators, performers and others whose own study abroad influenced how they developed new, revolutionary ways to conceive, express, and live in their world.
The focus is on the people who created these environments and how those environments impacted their lives and inspired others culturally, politically, or through design.
If you are interested in Environmental Design in England, stop by this information session on March 2 from 3pm to 5pm in the Price Library Elements Cafe. Program faculty will be present to share more about the program and answer any questions, and cake and conviviality will be provided!
6:00–7:30 p.m.
Learn about different career paths in the real estate industry and the foundations of financial analysis from guest speakers, hands-on workshops, and site tours. Join the UO Real Estate Investment Group for our weekly meetings every Wednesday in Lillis 132 from 6:00–7:30 p.m.! Our club is open to all and no application is required.
4:00 p.m.
University of Oregon 2025-26 Visiting Artist Lecture Series Presented by the Department of Art and Center for Art Research
“Weights & Measures” conveys multiple meanings. It refers to the burdens our bodies and psyches carry, the passage of time and musical tempos. At its most literal, it evokes systems of value and order. The talk will discuss Khoury’s last three years of work that that have focused on collectivity, intangibility, music, food, athleticism, and death. Through the process of assemblage, casting, printmaking, forging, welding, and hand building forms, Khoury continues to explore what makes something, or someone, worth more or less than another? The athleticism of death, the aestheticism of the everyday, and the cultural imperatives that create the weights we bear. The talk will share the unique processes of casting at the Kohler Factory in Wisconsin two summers in a row, first in foundry and then in pottery.
Sahar Khoury is an artist based in Oakland, California. Khoury makes sculptures that integrate abstraction, personal and political symbols, and an intuitive sensitivity to site. Found or rejected objects that are immediate, abundant, and recurring serve as a script for constructions made of metal, clay, cement, and papier-mâché. Trained as a cultural anthropologist and having never taken any fundamental art classes, Khoury continues to develop an idiosyncratic approach to merging diverse materials, with a primary commitment to spontaneity and interdependence. She received her BA in Anthropology from UC Santa Cruz in 1996 and her MFA From UC Berkeley in 2013.
noon
Jordy Coutin, Assistant Professor, PPPM, presents: "A Legal Remedy: The Impact of Martin v. Boise on Shelter Capacity and Use."
The Institute for Policy Research and Engagement is part of the UO School of Planning, Public Policy and Management.
12:30–3:30 p.m.
This symposium brings together scholars from the US, Singapore, and China to examine the evolving pathways of sustainable development in China. Focusing on the intersections of economic transformation, environmental governance, and social equity, it aims to foster critical dialogue on how sustainability is conceptualized, implemented, and contested across different regions and sectors. Through presentations and discussions, participants will reflect on China’s experiences in addressing climate change, urbanization, and development challenges, while situating them within broader global debates on sustainable development.
Event registration is required for participation:https://app.smartsheet.com/b/form/019b954562f17224bdc7a0231d1f3f2e
Event sponsors:
APRU Sustainable Cities and Landscapes Program, Global Studies Institute, Department of Geography, Department of Global Studies, Center for Asian and Pacific Studies.
5:00–7:00 p.m.
Department of Product Design Open House Showcasing the work of MS Sports Product Design | BFA Product Design Come explore work by Fourth-Year BFA Product Design students and First- and Second-Year MS Sports Product Design students. Enjoy food, refreshments, and great conversations with our student designers. All are welcome- please join us- we hope to see you there!
1:00–2:00 p.m.
Throughout time people have shaped their environments according to their first-hand experiences and instinctive understandings of natural phenomena; landscape design was informed by the concept of genius loci, or “spirit of place.” Sullivan and Boults maintain that recognizing and honoring the genius loci is the first step in preserving the social and ecological integrity of place when creating spaces for human use and enjoyment. Their research presents a survey of global myths, legends and folklore that are based on a deep understanding of the genius, or spirit, of the land, and presents a new framework for their application and interpretation. This is a Helphand Endowed Lecture.
A light lunch reception to meet the speakers begins at noon in the Hayden Gallery.
The Kenneth I. Helphand Endowed Lecture Fund at the University of Oregon Foundation was established in 2013 to give students the benefit of learning from top scholars for years to come. Professor Helphand, FASLA, is among the elite worldwide in landscape history and theory. A professor of landscape architecture for forty years, he is author of several award-winning books, was editor of Landscape Journal, is an honorary member of the Israel Association of Landscape Architects, and is former chair of the Senior Fellows in Garden and Landscape Studies at Dumbarton Oaks. He retired from full-time teaching at UO in fall 2012.
4:00 p.m.
University of Oregon 2025-26 Visiting Artist Lecture Series Presented by the Department of Art and Center for Art Research
Cerny’s sculptures and work on paper start with the idea that “furniture” and “mother” are figures that secure a value (to others) for their potential to hold, display, or be absent-mindedly left with things. Putting form and color to work and entrusting no small part to contingency, these works behave as something like gestural understudies for a play about the day-to-day grinding weariness and joyful slapstick absurdity of human relationships—about trying to Work It Out…or not. The shelf, the rack, the hook, the slot, the vessel: all stand at the ready to be occupied temporarily, until something better comes along. These objects “hold,” literally and metaphorically. A pattern played out over and over in the work is one of holding as the creation of intimacy and belonging, for pleasure, and for self-preservation.
Dawn Cerny has had solo institutional exhibitions at The Frye Museum (2025); The Seattle Art Museum (2021); The Portland Art Museum (2017); and The Henry Art Gallery (2008 and 2017). Her sculptures, works on paper and collaborative projects have been exhibited in institutions and galleries across North America, including Micki Meng Gallery, San Francisco (2023); F Gallery, Houston (2022); Cooper Cole, Toronto (2018); and MOCA, Los Angeles (2018). She is the recipient of two Washington State Artist Fellowships (2004 & 2017); the Betty Bowen Award (2020); the Bonnie Bronson Visual Arts Fellowship (2022) and the Joan Mitchell Fellowship (2022). Cerny’s works on paper and sculptures are in public collections, including The Walker Art Gallery, SFMOMA, The Frye Art Museum, The Henry Art Gallery, The Portland Art Museum and The Seattle Art Museum. Dawn Cerny’s work has been written about in Bomb Magazine, KQED, Variable West, Artforum, the International Sculpture Center Blog, The Brooklyn Rail, The Stranger, and The Seattle Times
Find daily ways to engage your career curiosity with workshops, local industry tours, alumni panels & networking events, the Spring Career & Internship Expo (4/16), and Practice Interview Day (4/17) that will help you develop skills and connections on the road to career readiness. For a full list of workshops, career tours, networking events, resume reviews, alumni panels, and more, visit career.uoregon.edu/events or register for events in Handshake. Why wait?! Stop by the University Career Center in Tykeson Hall-Garden Level ASAP to get drop-in resume reviews and other career guidance to make the most of your Career Readiness Week!
The University Career Center offers a special thanks to our Spring 2026 Career Readiness Week sponsor: Enterprise Mobility!
FULL LIST OF EVENTS COMING SOON!
noon
Kory Russel, Assistant Professor, Landscape Architecture, presenting on: "The Sustainable Sanitary City: Container-based Sanitation, Gray Water Reuse, and the Future of Urban Water Infrastructure".
The Institute for Policy Research and Engagement is part of the UO School of Planning, Public Policy and Management. This is in collaboration with the School of Architecture and Environment.
noon
Why YOU should come to this Expo...
- You're curious about your future. Explore different career paths and job roles across industries. EXPOse yourself to unique career pathways that can use your career readiness skills and passions to make an impact in the world.
- You want to make connections. These organizations LOVE to hire Ducks and want to help you find your career fit. You might even meet UO alumni recruiting for them at the expo. Ask a recruiter what career readiness skills you can be building now to make you a top candidate in the present or future (and add them to your Linkedin network for future connections!).
- You want to find a job, internship, year of service, volunteer opportunity, and more! If you're actively job searching, have your resume ready to hand out and a short and sweet synopsis about yourself and your professional interests ready to go! If you're just exploring options, collect contact info, do some additional research, and do an informational interview to learn more before you apply.
- You want to build your confidence! Practice asking questions of employers AND sharing about who you are and what you're passionate about. Every expo you attend and each time you approach a recruiter, you get more and more comfortable presenting yourself in a professional manner.
- You want a FREE professional headshot! Dress to impress and get a headshot taken you can use on your Linkedin!
WHO'S COMING? Find your career fit with over 60+ employers comprised of private industry; public, educational, and non-profit organizations; local government, the federal government, law enforcement, and military--ALL on campus and excited to share more with you about their organization and early career talent opportunities. Open to students from ALL majors, classifications, and identities. Every expo looks a little different so come each term to keep exploring and expanding your career opportunities!
WHAT NEXT? Register for the Expo on Handshake today to learn about all the companies coming, and positions of interest you can be researching. We'll also send you tips and advice for how to make the most of the expo, including Career Readiness Week workshops like our Resume Extravaganza so you can have a great resume to hand to potential employers!
The University Career Center gives a special thanks to Enterprise Mobility for sponsoring all of our Spring Career Readiness Week events and workshops!
For a full list of Spring Career Readiness Week (April 10–17) events and workshops, check out http://career.uoregon.edu/events
4:00 p.m.
University of Oregon 2025-26 Visiting Artist Lecture Series Presented by the Department of Art and Center for Art Research
This talk explores Alice Bucknell’s work through the lens of clipping: the moment in a video game when the player slips through a wall or falls beyond the map. Often treated as a technical error, clipping becomes a method for breaking open systems and exposing their ecological, political, and epistemic structures. Across projects such as The Alluvials (2023), Small Void (2025), and Earth Engine (both 2026), Bucknell uses gamespace as a site for speculative experimentation, blurring boundaries between humans and nonhuman, natural and synthetic intelligences, and self vs world. In this framework, play offers an affective encounter with the world that’s grounded in total feeling rather than totalized knowledge. Clipping the horizon means colliding with the limits of perception itself and tumbling sideways into a world that resists being mapped, modeled, or controlled.
Alice Bucknell is an artist, writer, and educator based in Los Angeles. Their work explores the affective dimensions of video games as interfaces for understanding complex systems, relationships, and forms of knowledge. Bucknell is generally interested in the limits of scientific knowledge and systems thinking, the weird possibilities of play, and play as an embodied technology. They have exhibited internationally, including at Centre Pompidou (Paris), Kunsthalle Praha (Prague), Ars Electronica (Linz), transmediale (Berlin), Arcade Seoul, the Venice Architecture Biennale, the Singapore Art Museum and Serpentine Galleries (London). In 2025, their video game The Alluvials was acquired by SFMOMA, becoming the first video game in the museum's permanent collection. A 2025 recipient of the Creative Capital Award and a 2026 resident of La Becque Principal Residency Program in Switzerland, Bucknell teaches world
5:00 p.m.
What is Research? (2026) will explore various natures, purposes, and roles of research across disciplines, fields, and areas. The event will consider frameworks of systematic and creative inquiry, including methods, designs, analyses, discoveries, collaborations, dissemination, ethics, integrity, diversity, media/technologies, and information environments.
This year delves into research in its many forms, including searching, critically investigating, and re-examining existing knowledge, as well as emerging functions and procedures in machine intelligence and computation. It will highlight pluralities of research pathways, examining time-honored approaches and new ways of knowing, precedents, issues, and futures. It considers challenges and possibilities that researchers face in today’s rapidly changing world, and ways to promote ethical, inclusive, and impactful research.
The event celebrates the thirtieth anniversary of the Communication and Media Studies Doctoral Program in the School of Journalism and Communication at the University of Oregon.
noon
Ed Rubin, Assistant Professor, Economics, presenting on "Do Local Emissions Respond to Upwind Abatement? Evidence of Regulatory Rebound from Power-plant Rules and PM2.5 Standards".
The Institute for Policy Research and Engagement is working in collaboration with the Department of Economics and the School of Planning, Public Policy and Management.
9:00 a.m.–8:30 p.m.
This annual event offers undergraduates from all majors a vibrant, inclusive forum to showcase their research and creative work through a variety of presentation platforms. The event celebrates inquiry and discovery across disciplines, helps students build communication and professional skills, and connects them with peers, faculty, and mentors. Whether attending or presenting, students at any stage in their academic journey will gain confidence, expand their networks, and continue strengthening their pathways to success.
The General Agenda on the website gives an overview of events throughout the day. The searchable schedule will be posted at urds.uoregon.edu/symposium closer the event.
1:00–2:00 p.m.
Lecture - just practice; practicing process
1 hour
just practice is a collaborative practice started by Amanda Ugorji and Sophie Weston Chien. They will be lecturing on their process and how their experiences and values shape their work as built environment professionals, educators, and textile designers. In addition to sharing their most recent pieces intersecting ideas of environmental justice, the built world, and narrative, they will be sharing how they have navigated collaboration, funding, and working sustainably. They hope for this lecture to serve as a case study for young practitioners imagining what is next.
Workshop - practicing process with just practice
75 minutes
In this workshop with just practice, we ask you to bring a project you feel most excited about being realized and imagine how to make it real with us. So much of what we do in school is framed as an exercise, but we are interested in thinking about how the ideas (and sometimes derivatives) can show up in your work outside of school. For roughly an hour, we will talk through embedded values, potential collaborators, design agency, and what success would look like to you. We hope to foster a broader conversation with peers. Please submit an image associated with the project and a three-sentence description in advance.
Bio
just practice (Amanda Ugorji and Sophie Weston Chien) spans architecture, landscape architecture, urban planning, community engagement, textile, and graphic design, as well as activist and organizing work within the design field. We think about modes of practice, the spatialization of memory, Black feminist practices, the historical role of women in architecture, and strategies for collective care. just practice has exhibited at Northeastern University, Mills College, MIT Museum, Boston Public Library Leventhal Map Center, MIT Rotch Architecture Gallery, Yale School of Art and Boston Society of Architects, and our work is in private collections and in the permanent collection at the MIT Museum. Our piece Soft City was awarded the inaugural City Talks Digital Gallery Award from the Spatial Analysis Lab at USC, and we were finalists for the Harvard University Radcliffe Institute Public Art Competition.
Sophie is from North Carolina, and Amanda is from Massachusetts.
This memorial lecture was created by friends and family members of our department’s alumna, Mary Kim McKeown. She received her bachelor of landscape architecture from the University of Oregon in 1982 and was working in Mill Valley, California in the offices of Royston, Hanamoto, Alley and Abey (now RHAA). McKeown was considered one of the bright ones, and an up-and-coming leader for the firm. She lost her life when a magnitude 7.1 earthquake struck the San Francisco Bay Area on October 17, 1989.
To honor her memory, McKeown’s family and her associates at RHAA dedicated themselves to establishing this memorial lecture fund. An endowment fund at the UO Foundation was created, and in 1992 the department hosted Robert Royston of RHAA as the inaugural speaker in this lecture series.
4:00 p.m.
University of Oregon 2025-26 Visiting Artist Lecture Series Presented by the Department of Art and Center for Art Research
“This presentation introduces my studio practice, which is situated at the intersection of weaving and animation. I create woven textiles on a jacquard loom and translate these fabrics into time-based works, approaching the loom as a camera and editing tool. By working with sequential woven images and material processes, my work explores how textiles can generate motion and shape the moving image. I will discuss recent projects that move between handwoven cloth and animation, as well as the technical and conceptual questions that arise when textiles are used as a time-based medium. The talk will also touch on the overlapping histories of weaving and cinema, and how textile processes offer alternative ways of thinking about moving images, narrative, and authorship.”- Kate Nartker, 2026
Kate Nartker works between animation and weaving to dismantle images, narratives, and material structures. She received an MFA from the California College of the Arts and is an Assistant Professor of Textile Design at the Wilson College of Textiles at NC State University. Her work has been included in exhibitions and screenings throughout the United States and internationally, including The Museum of Craft and Design in San Francisco, The Contemporary Austin, and the Hordaland Art Center in Bergen, Norway.
noon
Patrick Hunnicutt, Assistant Professor, PPPM, presents: "Poisoning the Well: Process, Recognition, and Opposition to Environmental Policy in Rural America".
The Institute for Policy Research and Engagement is working in collaboration with the UO School of Planning, Public Policy and Management.
4:00 p.m.
University of Oregon 2025-26 Visiting Artist Lecture Series Presented by the Department of Art and Center for Art Research
Allan Wexler’s work mediates the gap between fine and applied art using the mediums of architecture, sculpture, photography, painting, and drawing. Wexler’s work is sometimes functional, sometimes theoretical, and often performative. In all cases, it demonstrates a commitment to reevaluating basic assumptions about the human relationship to the built and natural environments.
In the late1960’s Allan Wexler was an early member of the group of architects and artists who questioned the perceived divide between art and the design disciplines. They called themselves non-architects or paper architects. The subject of Wexler's work is the built environment. He creates drawings, multimedia objects, images, and installations that alter perceptions of domestic activities. Wexler is a recipient of a Guggenheim Fellowship (2016), is a Fellow of the American Academy in Rome, and a winner of both a Chrysler Award for Design Innovation and the Henry J. Leir Prize from the Jewish Museum. Wexler currently teaches at Pratt Institute in Brooklyn, New York. He is represented by the Jane Lombard Gallery in New York City where he had a solo exhibition from January thru March of 2025.
Made possible by the Department of Art, the Department of Product Design, and the Bob James Ceramics Fund.
4:00–6:00 p.m.
Join us in celebrating the Class of 2026!
For graduate RSVP requirements and day-of details, email dsgn@uoregon.edu or call 541-346-3405