News

Brandi Wilkens, an undergraduate student in the Department of the History of Art and Architecture, has been selected as one of six UO students to participate in the Humanities Undergraduate Research Fellowship for her research project, “Not Just a Pretty Face: 19^th century Japanese Courtesans and their influence in art exportation.”

Wilkens is researching and writing a comprehensive paper on the topic during winter and spring 2016 terms, and will present her research at the 2016 UO Undergraduate Symposium on May 19.

When Haley Davis boarded a plane headed to Singapore last summer, “I left knowing very little about what I was getting myself into and ended up having one of the most exciting, memorable, and educational summers I could have asked for. “

The mere mention of surgery in the nineteenth century may conjure up grotesque images of gore and negligent doctors, but this is one myth that one University of Oregon graduate of the Department of the History of Art and Architecture wants to debunk.

A ceramic product line designed by Product Design Program Assistant Professor Trygve Faste and Department of Art Instructor Jessica Swanson is featured in designboom’s Top 10 Reader Submissions of 2015 in the product design category. Their project, Intertidal Deployment Object Series 2, is a collection of ceramic products adorned with barnacles.

The 2016 UO Art MFA 2nd Year Exhibition, featuring the work of second-year MFA students in the UO Department of Art, will continue at White Box, 24 NW First Avenue in Portland, through January 30. The exhibition shows the wide range of offerings in the UO’s art program, including collage, video, ceramics, drawing, sculptural bricolage, puppetry, and painting.

The standard model for urban design and city growth, some A&AA professors argue, neglects a sizeable number of its residents.

Gentrification and makeovers within distressed neighborhoods can push out low-income communities by increasing property values; disabled, elderly, and handicapped populations are marginalized; and others, including children, are consistently sidelined, all in the name of progress that affects developing cities.

The four farmers who make up Eugene’s Ant Farm Collective grow staple crops and produce, selling them to local markets and restaurants as part of a burgeoning “new farmers movement” that is using small-scale, sustainable farming to revitalize local food systems.

As a freshman at UO, Collin Lafayette lost interest in his stated major, business, fairly quickly. Instead, he found himself regularly helping out his roommate with his Product Design Program homework. Lafayette taught his roommate about line weight—for example, how a thicker line could distinguish a border—and how subtle use of shading can offer 2D drawings depth and realistic detail.

An artist whose work has ranged from provocative, avant-garde statements of the feminist struggle and public forums on homelessness to photomontages that juxtapose the carnage of war with the luxury of American homes will visit the University of Oregon for a talk this month.

Trees that punctuate a city sidewalk may appear to be passive or almost inanimate, but throughout history they have been a source of conflict. Planting trees in the cityscape even became a means by which women publicly asserted themselves as activists, reformers, and design professionals throughout the twentieth century.