Amanda Wojick usually creates art that is “intentionally fragile” using ordinary materials such as paint chips, linoleum flooring, Band-Aids, polystyrene, and different kinds of paper to create small and large abstract sculptures and drawings. But about 18 months ago she added welded steel to her palette – creating art she characterizes as “firmly situated in the world of permanence and durability.”
The Jordan Schnitzer Museum of Art (JSMA) and Master Capital Management are hosting an inflatable architecture design contest inspired by the 1970s designs of an experimental architectural group and artist collective. Submissions are due February 1.
All architects, artists, designers, students, faculty, and members of the public are welcome to enter. The JSMA encourages both professionals and amateurs to create teams of three to five people to explore the possibilities of inflatable design.
Sculptor and educator Mark Sponenburgh died December 6, 2012, at his home on the Oregon Coast. He was 94. He taught at the University of Oregon School of Architecture and Allied Arts from 1946 to 1957. Sponenburgh was devoted to the study and practice of the arts with special focus on sculpture and art history. He established an endowment fund in 1997 at the UO Foundation to support a lectureship on the history and aesthetics of sculpture and for a graduate student research award.
Terry R. Myers will deliver the Fowler Lecture at 6 p.m. January 17 on the University of Oregon campus, 177 Lawrence Hall, 1190 Franklin Boulevard, Eugene. Myers’ lecture, “Painting’s Unfinished Business,” is made possible by the George and Matilda Fowler Endowment Fund.
