News

In his newest exhibit, Gristle Sausage, associate professor of digital arts Michael A. Salter plays the role of a meat grinder: He grinds graphics and memes and shapes them into a “all- you-can-eat visual buffet.”

The billboard-sized installation offers several framed graphics of colorful, pixelated patterns, blurry portraits, cartoon faces, pharmaceutical drugs, and more. The societal mosaic also features one-of-a-kind, minimal, kitschy knick-knack sculptures installed on the opposite wall.

The Federal Planning Division of the American Planning Association has recognized Professor Mark Gillem's firm, The Urban Collaborative, with seven national design awards of the seventeen presented nationwide.

The Italian Art Society recently named Kelly Whitford, MA ’11, its annual Dissertation Grant Recipient for her project “Embodying Belief: Crossing the Ponte Sant’Angelo with Bernini’s Angels.” Whitford earned her degree at Oregon in the Department of the History of Art and Architecture and is currently a PhD candidate at Brown University.

Whitford’s research focuses on work by seventeenth century sculptor Gian Lorenzo Bernini at the Ponte Sant’Angelo in Rome. The bridge was a venue for religious processions, fireworks, and public executions.

The UO School of Architecture and Allied Arts and the Ford Family foundation have added two new partners to a program that gives more Oregon artists access to visiting curators and art critics. The Oregon College of Art and Craft and the Douglas F.

Nate McCoy’s tenure as executive director of the Oregon chapter of the National Association of Minority Contractors is barely ten months old, but his work has already prompted the Daily Journal of Commerce to include him in the journal’s “Newsmakers 2016.” McCoy, BArch ’04, credits his ability to move the nonprofit organization forward quickly to the relationships he built over the years while working for the Portland Deve

A blueprint to preserve, rehabilitate, and promote historic theaters in Oregon has earned national honors in applied research for a team of University of Oregon graduate students who analyzed the physical and fiscal conditions of more than fifty historic theaters statewide. But they didn’t stop there: Their findings spurred them to also recommend a five-year plan to help both the aging buildings and the often-underfunded organizations that operate them.

Students in the adaptive design studio had a specific vision and goal: to enable the USA wheelchair rugby team to compete at its highest potential using innovative products designed just for them.

Refining and redesigning athletic wear for adaptive athletes is becoming a noted specialty at the UO in Portland thanks to the unique curriculum launched four years ago in the Product Design Program. The studio—Adaptive Products: Enabling Athletes with Disabilities—was first offered to fifth-year bachelor of fine arts product design students in winter 2012.

Sally Donovan literally lives and breathes historic preservation, living in a 1913 house and using its “updated” 1931 refrigerator and electric stove every day for the past twenty years. And not long ago she finished, with her two partners and husband, first moving then rehabilitating an 1889 house destined for demolition, handling tasks from removing shingles to replastering and painting, along with the reams of paperwork required to buy the house (for $1) and arrange for its move (a lot more than $1).

A statue that represented the physical manifestation of student revolution, an 18^th-century satirical print that chastised the British navy, and the University of Oregon’s sexual assault prevention program were among the subjects in this year’s Graduate Student Research Forum.

Fifteen graduate students from the School of Architecture and Allied Arts—across disciplines including architecture, art history, historic preservation and nonprofit management—shared their final research during the seventh annual forum at the Ford Alumni Center on February 26.

Wikipedia is one of the most popular go-to sites for research and fact-checking, but the site suffers from some serious male bias.

A 2011 study from the Wikimedia Foundation found that only 9 percent of Wikipedia’s editors, and fewer than 13 percent of its writers, are female.